By knowing the speed of your embroidery machine, you can find out how long it will take to embroider a design.
To use the embroidery calculator, click on the number of stitches in the product description.
This download contains two separate winter poinsettia corner machine embroidery designs, each supplied in three sizes: six embroidery files in total. The asymmetrical floral corners combine red, white and peach poinsettias, berries, branches and blue-gray foliage for napkins, tablecloths, table runners, placemats, towels and cushion covers. This is a digital product, not a finished embroidered item.
Sizes, stitches and formats
Corner 1
Size: 155.0x178.1 mm (6.10x7.01 "), Stitches: 26868
Size: 172.4x198.1 mm (6.79x7.80 "), Stitches: 30233
Size: 198.2x227.8 mm (7.80x8.97 "), Stitches: 36377Corner 2
Size: 116.1x161.9 mm (4.57x6.37 "), Stitches: 26425
Size: 127.8x178.3 mm (5.03x7.02 "), Stitches: 29238
Size: 142.3x198.3 mm (5.60x7.81 "), Stitches: 33456Formats: .pes, .pec, .hus, .vip, .dst, .exp, .sew, .exp, .dat, .vp3, .jef, xxx
| Set contents | 2 separate corner designs, with 3 sizes of each design |
| Composition type | Two self-contained asymmetrical floral corners; not ITH and not a split multi-hooping design |
| Motifs | Red, white and peach poinsettias, berries, branches, blue-gray leaves and flower buds |
| Corner 1 color chart | 13 Madeira Classic Rayon 40 colors, 20 color blocks and 19 color changes |
| Corner 2 color chart | 11 Madeira Classic Rayon 40 colors, 13 color blocks and 12 color changes |
| Combined palette | 14 unique Madeira Classic Rayon 40 colors across both designs |
| Designer | Ludmila Konovalova |
| Delivery | The ZIP archive is available for instant download after purchase and contains the machine formats and color charts |
This combined palette is taken from the two source color charts for RPE-1572. Colors 1179, 1149 and 1034 are used only in Corner 1; color 1183 is used only in Corner 2. The other ten colors appear in both designs.
| ■ | Madeira Classic Rayon 40 No. 1071 — Baby's Breath White White berries and flowers, pale petals and the lightest fills in both corners |
| ■ | Madeira Classic Rayon 40 No. 1183 — Cranberry Cranberry-purple berry clusters in Corner 2 only |
| ■ | Madeira Classic Rayon 40 No. 1152 — Peach Tea Peach flowers, buds and light bands across the petals in both corners |
| ■ | Madeira Classic Rayon 40 No. 1277 — Blueberry Smash Main dark-blue and blue-gray leaf areas in both corners |
| ■ | Madeira Classic Rayon 40 No. 1163 — Steel Gray Lighter blue-gray veins, shading and dimensional leaf details |
| ■ | Madeira Classic Rayon 40 No. 1130 — Chocolate Chip Stems, branches and dark connecting lines in both corners |
| ■ | Madeira Classic Rayon 40 No. 1146 — Tomato Red Red berries and bright warm-red details in both corners |
| ■ | Madeira Classic Rayon 40 No. 1147 — Christmas Red Main red poinsettia petals in both corners |
| ■ | Madeira Classic Rayon 40 No. 1254 — Dark Salmon Salmon transitions, stripes and shadows on petals and buds |
| ■ | Madeira Classic Rayon 40 No. 1069 — Sunshine Yellow Golden-yellow centers of the poinsettias and small flowers |
| ■ | Madeira Classic Rayon 40 No. 1181 — Candy Apple Red Deep burgundy-red fills, shadows and accents on the large flowers |
| ■ | Madeira Classic Rayon 40 No. 1179 — Sweet Potato Warm coral shading on peach flowers and buds in Corner 1 only |
| ■ | Madeira Classic Rayon 40 No. 1149 — Tusk Beige Warm cream-beige petals and pale flower details in Corner 1 only |
| ■ | Madeira Classic Rayon 40 No. 1034 — Vintage Rose Rose-plum berry clusters and accents in Corner 1 only |
Screen swatches are approximate and do not replace a physical Madeira thread chart. If you change the palette, preserve the contrast between light, medium and dark shades; that tonal separation creates the depth in the petals and blue-gray foliage.
Corner 1 has a wider, more open composition with long branches extending along both sides of the right angle. It works as a prominent accent on a tablecloth, table runner, large napkin, placemat or decorative cushion cover.
Corner 2 is more compact and extends farther along one side. It is useful for towels, napkins, table-runner corners and narrower textile areas. Each motif is a complete single-hooping design.
Browse more Christmas flower motifs in the Poinsettia Machine Embroidery Designs collection.
Clean and dry the inner hoop surface, then apply thin non-slip rubber strips made for embroidery hoops. Place the strips evenly without wrinkles or overlap, and keep the screw, lock and machine-connection areas clear. Hoop the stabilizer and fabric together so the surface is firm and does not creep, but do not stretch the fabric out of shape. Rubber strips improve grip; they do not replace stabilizer. Read the full guide: Brother Embroidery Hoop Rubber: Non-Slip Rubber Strips.
For stable woven linen or cotton, begin with one layer of medium-weight tear-away around 50–60 g/m². Madeira Cotton Soft 50 or 60 g/m² is a 100% recycled-cotton option; it tears softly, but short cotton fibers may remain beside dense stitching. Madeira CMX Tear 50 g/m² has a short-fiber wood-pulp and polyester structure designed to tear in every direction and usually leaves less visible fuzz. Test the largest, densest version on a fabric scrap before adding another layer. See the guide to tear-away stabilizers.
For a slightly stretchy woven fabric, attach Madeira Cotton Fix to the wrong side without pulling the material, smooth it from the center outward, and hoop the fabric with the stabilizer when the item can be hooped safely. Another option is to hoop Cotton Fix with the paper side up, expose the adhesive area and place the fabric on it without stretching. If the fabric is a true knit, highly elastic or paired with dense embroidery, use a cut-away stabilizer for lasting support. See how to use Madeira Cotton Fix.
Print the template for the selected file at 100% scale. Mark the corner point and two fabric lines parallel to the finished edges, then align the template's horizontal and vertical axes with those marks. Check the distance from the outermost stitches to both hems before hooping. Keep the fabric grain straight: even a small skew is easy to see in a design that follows two edges.
Remove the large free areas first, then tear the remaining backing away in small sections from the outer edge toward the embroidery. Support the stitched area with your fingers close to the point of removal. Do not pull the stabilizer across satin petals, narrow stems or small projecting details, because that can stretch the fabric and deform the embroidery edge.
Winter Poinsettia Corners Machine Embroidery Set – 3 Sizes
They look lovely
Embroidery process is a partnership between an embroidery machine and an embroiderer. At most times, it’s a beautiful partnership, with wonderful stitch-perfect results and lots of creative s...
Get Sign-In Link
Login with Google
Login with Facebook
Login with Amazon
Login with Paypal