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This set includes two different Christmas poinsettia bouquet machine embroidery designs, each supplied in three original sizes — 6 size options in total. The large arrangement combines three poinsettias with branches, leaves, small flowers and pine cones; the compact bouquet features one poinsettia with symmetrical flowering sprigs. This is a digital download for an embroidery machine, not a finished embroidered item.
Sizes and stitch counts
Bouquet 1
Size: 122.5x108.5 mm (4.82x4.27 "), Stitches: 19850
Size: 119.2x134.8 mm (4.69x5.31 "), Stitches: 21400
Size: 131.2x148.1 mm (5.17x5.83 "), Stitches: 23654Bouquet 2
Size: 91.6x54.2 mm (3.61x2.13 "), Stitches: 6973
Size: 100.5x59.8 mm (3.96x2.35 "), Stitches: 7461
Size: 110.5x65.7 mm (4.35x2.59 "), Stitches: 8315Formats: .pes, .pec, .hus, .vip, .dst, .exp, .sew, .dat, .vp3, .jef, .xxx
| Number of designs | 2 different bouquets |
|---|---|
| Sizes of each design | 3 original sizes |
| Total size options | 6 |
| Design type | Multicolor machine embroidery with filled areas and outlined details |
| Recommended thread | Madeira Classic Rayon No. 40 or another quality No. 40 machine embroidery thread |
| Embroidery field | Compatible options |
|---|---|
| 100x100 mm (4x4 ") | Only Bouquet 2 at 91.6x54.2 mm (3.61x2.13 ") |
| 100x170 mm (4x6.69 ") | All three Bouquet 2 sizes; rotate the horizontal composition by 90° if required |
| 130x180 mm (5x7 ") | The first two Bouquet 1 sizes and all three Bouquet 2 sizes |
| 140x200 mm (5.5x8 ") or larger | All 6 options |
The largest Bouquet 1 measures 131.2x148.1 mm (5.17x5.83 ") and does not fit a true 130x180 mm (5x7 ") embroidery field. Its short side exceeds 130 mm by 1.2 mm (0.05 "), so this file requires an embroidery field of at least 131.2x148.1 mm. A standard 140x200 mm (5.5x8 ") hoop is suitable.
The medium Bouquet 2 is 100.5 mm (3.96 ") wide, so it does not fit a true 100x100 mm field despite the rounded inch measurement. Use the 91.6x54.2 mm (3.61x2.13 ") file or a hoop with a larger actual embroidery area.
| Design | Composition | Suggested placement |
|---|---|---|
| Bouquet 1 | Three poinsettia flowers, light and dark foliage, curved flowering branches, small buds, evergreen sprigs and two pine cones | Pillow cover, table runner center, tablecloth, tote bag or decorative panel |
| Bouquet 2 | One large poinsettia, leaves and two symmetrical sprigs with small pink flowers | Napkin, towel, Christmas stocking cuff, cosmetic bag or small gift bag |
The large bouquet has a free, asymmetrical shape and works especially well in a corner or slightly off center. The compact bouquet is horizontally elongated, making it suitable for the edge of an item or repeated placement across a coordinated textile set.
The Bouquet 1 technical color sequence uses seven colors. The swatches are approximate because a screen cannot reproduce the exact shade and sheen of rayon embroidery thread.
| Color | Number | Madeira color name | Embroidered element | |
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1187 | Orchid | Small flowers and buds; selected poinsettia bracts | |
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1377 | Kiwi | Light leaves, soft green areas and selected stems | |
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1249 | Shamrock | Rich green foliage, evergreen sprigs, leaves and connecting stems | |
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1369 | Fresh Pine | Dark leaves, shaded areas, veins and contrasting foliage details | |
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1110 | Fuchsia | Main saturated areas and shadows on the poinsettia bracts | |
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1171 | Lemon Drop | Poinsettia flower centers | |
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1126 | Light Brown Sugar | Two pine cones at the bottom of Bouquet 1 |
Bouquet 2 uses the main flower and foliage colors from this palette; brown 1126 is used for the pine cones in Bouquet 1. Follow the color sequence supplied with the file for your selected machine format.
12 color blocks: 1187 → 1377 → 1187 → 1249 → 1187 → 1249 → 1369 → 1110 → 1187 → 1110 → 1171 → 1126.
The repeated 1187, 1249 and 1110 blocks stitch separate areas of the composition in the correct overlap order. Do not use automatic color sorting or merge identical colors: this can alter the stitching sequence, create longer jumps and disrupt the layering of the details.
Select the stabilizer according to the fabric and bouquet size. For a stable woven fabric, a practical starting point for the total backing weight is approximately one third of the fabric weight. For example, one 60 g/m² layer is a sensible starting point for 180 g/m² linen; two heavy layers are not automatically necessary.
| Fabric or project | Retail Madeira stabilizer | Weight / thickness | How to use it |
|---|---|---|---|
| Smooth cotton or linen, 140–170 g/m² | Madeira Cotton Soft 50, tear-away | 50 g/m² 1.47 oz/yd² |
Hoop one layer beneath the fabric. Suitable for Bouquet 2 and for testing Bouquet 1 on a firmly woven fabric. |
| Firm linen, cotton, table runner or tablecloth, 170–220 g/m² | Madeira Cotton Soft 60, tear-away | 60 g/m² 1.77 oz/yd² |
Use one layer beneath the fabric. This is the primary starting option for the large Bouquet 1 on stable table linens. |
| Light or loosely woven linen prone to thread shifting | Madeira Cotton Stable, fusible tear-away | 50 g/m² 1.47 oz/yd² |
Fuse it to the wrong side without stretching, then hoop it with the fabric. The adhesive bond reduces weave movement around filled areas. |
| Terry towel or fabric with pile | Madeira Cotton Soft 60 underneath + Madeira Avalon Film on top | 60 g/m² / 1.77 oz/yd² 20 μm / 0.79 mil |
Use one Cotton Soft layer below and one Avalon layer over the pile. Tear away the excess film after embroidery and remove small remnants with water. |
| Knit, sweatshirt fabric or stretch pillow cover | Madeira Super Strong, cut-away | 80 g/m² 2.36 oz/yd² |
Hoop one layer beneath the knit without stretching it. After embroidery, trim the backing to 5–8 mm (0.20–0.31 in) around the design. |
| Finished bag, cuff or area that cannot be hooped normally | Madeira Cotton Fix, self-adhesive tear-away | 50 g/m² 1.47 oz/yd² |
Hoop the stabilizer alone with the paper side up, remove the release paper inside the embroidery area and position the item on the adhesive surface. |
Do not add a second backing layer automatically. The stitch load calculated across each design’s full bounding rectangle is approximately 114–149 stitches/cm², but the final result still depends on local filled areas and the fabric itself. Add a second layer only if a test stitch shows puckering, outline displacement or inadequate support on the specific material.
Read more about choosing a machine embroidery stabilizer, Madeira tear-away stabilizers and using Madeira Avalon stabilizers.
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After payment, download the ZIP archive, extract it and transfer only the format supported by your embroidery machine. The machine cannot read the ZIP archive itself. Each bouquet and size is supplied as a separate embroidery file.
You may sell finished physical items embroidered with these designs in small handmade quantities. You may not copy, share, trade, publish, include or resell the digital embroidery files. Read the full Royal Present Embroidery license terms. If you plan to sell finished embroidered products, see these practical tips for selling embroidery on Etsy.
The set contains two different bouquets, each supplied in three original sizes. You receive 6 size options in every listed machine embroidery format.
Only the compact Bouquet 2 at 91.6x54.2 mm (3.61x2.13 ") fits a true 100x100 mm embroidery field. The 100.5x59.8 mm version exceeds the 100 mm field by 0.5 mm.
It is not recommended. Repeated colors stitch separate areas in a specific technical order. Automatic color merging can create longer jumps and change the overlap order of petals, leaves and small details.
For stable linen weighing 140–170 g/m², use one layer of Madeira Cotton Soft 50 at 50 g/m² (1.47 oz/yd²). For firm linen weighing 170–220 g/m² and the large Bouquet 1, start with one layer of Cotton Soft 60 at 60 g/m² (1.77 oz/yd²). Madeira Cotton Stable 50 is more suitable for loosely woven linen because it can be fused to the wrong side. Always test on a matching fabric scrap.
Yes. Place one layer of Madeira Cotton Soft 60 under the towel and one layer of Madeira Avalon Film, 20 μm (0.79 mil), over the pile. The film keeps terry loops beneath the stitches so small details remain visible.
Design author: Ludmila Konovalova, Royal Present Embroidery.