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This coordinated embroidery set combines a round rowan wreath filled with eight bullfinches and a separate bird resting on a berry branch. Each motif comes in two original sizes, making it possible to place the large circular composition on a focal piece and repeat the smaller bird elsewhere in the same holiday collection.
This purchase contains digital files for an embroidery machine. Finished embroidery, fabric, thread and other physical supplies are not shipped.
Wreath
Size: 175.3x178.0 mm (6.90x7.01 "), Stitches: 26322
Size: 195.5x198.5 mm (7.70x7.81 "), Stitches: 29446Bullfinch
Size: 77.9x53.0 mm (3.07x2.09 "), Stitches: 4033
Size: 94.2x64.1 mm (3.71x2.52 "), Stitches: 5082Formats: .dst, .pec, .exp, .hus, .vip, .pes, .dat, .vp3, .sew, .tab. xxx, jef
The wreath is assembled from slender rowan branches, berry clusters and eight birds turned in different directions. Some bullfinches face the open center, while others look outward or downward. The changes in posture prevent the repeated figures from appearing mechanically placed, and the red berries visually connect the birds around the circumference.
The empty middle is intentional. It gives the densely illustrated outer ring enough breathing room and can remain unfilled, frame a feature already present on the item, or surround short lettering added from the embroiderer’s own alphabet. Monograms and lettering are not included in RPE-2049.
The smaller branch motif echoes the colors and stitch character of the wreath, but it is not a cropped section of the large design. It has its own center, tie-ins and stitching sequence. Use it on napkins, hand towels, gift-bag pockets or the ends of a table runner while reserving the wreath for a pillow front or textile wall panel.
| Files in the set | Minimum continuous field | Machine and hoop examples |
|---|---|---|
| Both separate bullfinches | 100 × 100 mm (4 × 4 in) or larger | Brother PE545 — 4 × 4 in; Brother PE900 — 5 × 7 in |
| Smaller wreath | 180 × 180 mm (7.09 × 7.09 in); a continuous 300 × 180 mm (11.81 × 7.09 in) field also works | Brother Innov-is V3 — 300 × 180 mm (11.81 × 7.09 in) |
| Larger wreath | 200 × 200 mm (7.87 × 7.87 in) or a larger uninterrupted field | Brother Innov-is V3LE — 300 × 200 mm (11.81 × 7.87 in); BERNINA B 700 with Maxi Hoop — 400 × 210 mm (15.7 × 8.3 in) |
A hoop name printed on the frame does not always equal the machine’s usable stitching field. The guide to hoop sizes and embroidery fields explains why the real area must be checked for the exact machine.
The large file fits a true 200 × 200 mm field, but only 1.5 mm (0.06 in) remains on its longest side. Load the file, select the intended hoop and run the machine’s boundary check before hooping the final project. A 180 × 300 mm (7.09 × 11.81 in) field does not accept this version because one design dimension exceeds 180 mm. A multi-position frame does not turn a restricted field into one continuous area for an unsplit circular file.
| Machine family or system | Format listed on this page | Check before transfer |
|---|---|---|
| Brother and Baby Lock | PES or PEC | select the size that remains within the model’s maximum single-design field |
| BERNINA | EXP | use the supplied color chart because brand shade names may not appear on the machine |
| Husqvarna Viking and Pfaff | VP3, VIP or HUS | choose the newest included format supported by the particular model |
| Tajima and compatible industrial controls | DST | the stitch commands remain, but the displayed colors may be generic |
| Systems reading SEW, DAT, TAB or XXX | SEW, DAT, TAB or XXX | confirm support in the manual for the exact machine generation |
The wreath uses 7 unique Madeira shades. The separate bullfinch uses the first six; Steel Green 1163 appears only in the circular composition. Repeated numbers are consolidated below for easier preparation, even though some colors return later in the programmed sequence.
| Swatch | Madeira Classic Rayon 40 | Official shade name | Elements stitched with this thread |
|---|---|---|---|
| 1290 | Mallard Teal | rowan branches, needle-like foliage and the dark green foundation of both motifs | |
| 1147 | Christmas Red | rowan berries around the wreath and on the independent branch | |
| 1365 | Dusty Plum | heads, tails, feet, dark wing areas and later upper plumage details | |
| 1307 | Raspberry Punch | the warm pink-red breasts of the bullfinches | |
| 1292 | Limestone | cool light sections across the backs and wings | |
| 1072 | Coconut Cream | cream wing insets and small highlights on the birds | |
| 1163 | Steel Green | an additional cool shadow in selected birds of the wreath; absent from the separate motif |
Numbers and English names were checked against the Madeira Classic Rayon color chart hosted by Royal Present. Screen swatches are only a visual guide because rayon sheen and monitor settings affect perceived color.
Madeira 1365 first builds the basic dark portions of the birds. After the red breasts and pale feather areas are embroidered, the same shade returns for details that must sit above those earlier layers. It appears in six separate blocks in the wreath and twice in the independent bullfinch. Combining every occurrence into the first stop would change the overlap order and bury part of the feather drawing.
| Fabric or project | Recommended support | Application |
|---|---|---|
| Linen wall panel or firm cotton | Madeira Cotton Soft 80 tear-away, 80 g/m² (2.4 oz/yd²) | hoop backing and fabric together; support open-weave linen with a second lighter layer placed across the first |
| Napkin with the separate bullfinch | Madeira Cotton Soft 50 tear-away, 50 g/m² (1.5 oz/yd²) | check the face after the berry stage and remove the backing from fine branch sections in small pieces |
| Soft pillow cover, fleece or knit | Madeira E-ZEE Green Cut 80 cut-away, 80 g/m² (2.4 oz/yd²) | leave permanent support beneath the entire design and avoid stretching the textile in the hoop |
| Finished item that cannot be hooped conventionally | Madeira Cotton Fix self-adhesive tear-away, 50 g/m² (1.5 oz/yd²) | hoop the stabilizer, align its axes with the placement marks and press the item onto the exposed adhesive area |
| Terry cloth, velvet or high-pile fleece | Madeira Avalon Film water-soluble topper, 20 μm (0.8 mil) | place on the surface to keep berries and feather details above the pile; select the lower backing according to fabric stretch |
The circle is constructed from many separated branches, berries and birds rather than one continuous stitched outline. If one side of the fabric is stretched harder during hooping, it relaxes unevenly afterward and the wreath can become oval. Backing must support the entire ring, including the open gaps between the birds; the detailed guide to choosing machine embroidery stabilizers compares support according to fabric, washing, design density and the type of finished item.
Madeira Classic Rayon 40 gives the breasts and wings a directional sheen. For frequently washed household textiles or outdoor decorations, a quality 40-weight polyester can be substituted after matching the shades with physical samples and testing the complete sequence.
The larger circle is well proportioned for a 40 × 40 cm (15.75 × 15.75 in) or 45 × 45 cm (17.72 × 17.72 in) pillow. The separate branch leaves enough breathing room on a napkin and can be repeated in four corners of a tablecloth while the wreath remains the central feature.
More circular holiday compositions are collected in Christmas Wreath and Frame Machine Embroidery Designs. Additional winter-bird motifs are available in Cardinals and Bullfinches Machine Embroidery Designs.
RPE-2049 can do two different commercial jobs. The wreath is the high-impact motif for a premium focal product, while the small bullfinch is the economical repeat design for coordinated add-ons. This makes the set useful not only for one Christmas project, but also for building a recognizable winter-bird collection at several price points.
Use the wreath on a pillow cover, framed textile panel or wide table runner as the principal item. Turn the separate branch into napkins, guest towels, wine bags or fabric gift pouches that require less fabric and machine time. The article on winter decoration embroidery projects offers additional small-product ideas that can sit beside the wreath without competing with it.
The stitch-out is only the decorated component. A concealed zipper in the pillow, a lined wine bag, accurate corner sewing on napkins and a coordinated paper band or gift box can raise the perceived value more than adding another motif. This large-and-small pairing is especially suitable for a boxed set: one feature cushion plus two small matching accessories. The guide to finding a niche in an embroidery business explains why assembly, packaging and specialization can separate a small studio from shops that sell embroidery service alone.
The two wreath files contain far more stitches and color stops than the separate birds, so they should not be priced as simple decorative add-ons. Count test stitching, machine time, stabilizer, thread, blank textile, sewing, pressing, packaging, marketplace fees and the risk of remaking a failed piece. The embroidery cost guide provides a framework for turning those inputs into a price instead of charging only by the visible size of the motif.
List the finished physical product, not the downloaded embroidery archive. A useful listing can lead with the object and buying intent: embroidered bullfinch pillow, Christmas bird napkin set or rowan wreath wall hanging. Photograph the complete item first, then show the close-up feather texture, the reverse or lining, scale and the matching pieces. The Royal Present article Easy Tips to Sell More Machine Embroidery on Etsy covers more specific search phrases and listing visibility for finished embroidery.
Yes. The archive contains the independent bird on a rowan branch in two sizes. These are complete machine files with their own center and sequence, not instructions for extracting part of the wreath.
Both separate bullfinch versions fit within a 100 × 100 mm (4 × 4 in) field. Neither wreath is intended for that hoop class.
It accepts only the smaller wreath. The larger file exceeds the 180 mm (7.09 in) side and requires a continuous 200 × 200 mm (7.87 × 7.87 in) field or a larger compatible hoop.
A production chart may show a rounded count from the source program, while the page calculator uses the exported machine file. Tie-ins, control commands and format-specific processing can create a small difference, which is why the original product lines must remain unchanged.
No. The later block contains new upper details rather than an empty pause. Removing it or moving it earlier alters the stitching order and reduces the contrast of the feather work.
The machine can stitch it, but the eight birds will merge visually with the branches, berries will no longer separate from the breasts, and the pale wing areas will disappear. Even a reduced palette should retain a green base, red accents, one dark feather shade and one light shade.
No. Smooth woven cotton normally needs only suitable backing underneath. A topper is useful on terry cloth, velvet and fluffy fleece, where small berries and feather marks can sink into the surface texture.
The files may be used for personal projects and small batches of finished, artisan-made embroidered goods. The ZIP archive, individual machine formats, copies and digital derivatives may not be sold, shared or published. A standard purchase does not grant permission for mass industrial production.
Design author: Ludmila Konovalova for Royal Present Embroidery.