French Queen Bee in Oval Baroque Frame Machine Embroidery Design - 3 Sizes

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French Queen Bee in Oval Baroque Frame Machine Embroidery Design features a realistic bee surrounded by an ornate oval frame and topped with a decorative royal crown. Three separately prepared sizes provide options for linen curtains, decorative cushions, tote bags, robe backs, jacket panels, table runners and framed textile wall décor.

The open space around the central bee helps the composition remain visually balanced, while the detailed wings, crown and curved Baroque ornament create a clear statement motif. Choose a stable fabric, calculate the backing weight from the actual fabric weight and complete a full test stitch before embroidering the final project.

This product contains files for a computerized embroidery machine. It is not a finished cushion, curtain, bag, garment, patch, framed panel or other physical product.

Product Details

Number of included sizes: 3

• Size: 128.0x152.5 mm (5.04x6.00 "), Stitches: 26476,
• Size: 166.8x198.6 mm (6.57x7.82 "), Stitches: 33390
• Size: 198.6x236.6 mm (7.82x9.31 "), Stitches: 39690

Formats: .dst, .jef, .pec, .vip, .hus, .pes, .sew, .exp, .dat, xxx, tab

What Is Shown in the Design?

The center of the composition contains a realistically styled bee with a striped body, legs, antennae and open wings. The bee is enclosed by a decorative oval frame formed from scrolls, leaves and symmetrical Baroque-inspired elements.

A large crown completes the upper section of the frame. The lower scrollwork forms a broad ornamental base, creating a complete emblem that can be used without an additional border or monogram.

• realistic central bee with detailed wings;
• large decorative crown;
• ornate oval Baroque-style frame;
• balanced vertical composition;
• three separately prepared sizes;
• suitable for natural, vintage, royal and French-inspired color palettes.

Recommended Projects

• linen curtains and decorative drapery panels;
• cushion and pillow fronts;
• framed textile pictures and wall panels;
• structured tote bags and bag fronts;
• robe, jacket, vest and coat backs;
• table runners and decorative table covers;
• upholstery-linen inserts;
• fabric storage-box panels;
• bee-themed gifts and beekeeper décor;
• French country, Baroque, vintage and classic interiors.

Which Hoop Fits Each Size?

The smallest file measures 128.0x152.5 mm (5.04x6.00 "). It may fit a nominal 130x180 mm embroidery field when the machine supports the complete 128.0 mm width and 152.5 mm height.

A commercial 5x7 hoop name does not guarantee compatibility. A machine limited to exactly 5.00 inches or 127 mm of usable width cannot stitch a file that is 5.04 inches or 128.0 mm wide.

The medium file measures 166.8x198.6 mm (6.57x7.82 "). It may fit a nominal 180x300 mm or a true 200x200 mm embroidery field when both complete dimensions are available.

The largest file measures 198.6x236.6 mm (7.82x9.31 "). It requires a field of at least 198.6x236.6 mm. Practical options include nominal 200x260 mm, 200x300 mm or 200x360 mm fields.

The largest size does not fit a true 200x200 mm or 8x8 inch field because one side measures 236.6 mm or 9.31 inches. Always compare the exact millimeter and inch dimensions with the machine’s usable embroidery field rather than relying only on the hoop name.

How Do You Choose the Best Size?

• 128.0x152.5 mm: compact cushion, medium tote bag, robe panel, curtain repeat or smaller framed piece.
• 166.8x198.6 mm: standard decorative pillow, large bag, garment back or central table-runner placement.
• 198.6x236.6 mm: large cushion, wide curtain panel, statement garment back or prominent wall art.

Print the selected size at full scale before hooping. Check the distance from the crown, lower ornament and side scrolls to seams, piping, zippers, hems, bag handles and garment construction lines.

How Do You Calculate Fabric Weight?

Use the fabric weight supplied by the manufacturer whenever it is available. Fabric weight is commonly stated as GSM or g/m² in the metric system and as oz/yd² in the US system.

When the weight is unknown, cut a measured sample and weigh it on accurate scales. Do not include trim, interfacing, seams or embroidery in the sample.

Metric Fabric-Weight Formula

Fabric weight in g/m² = sample weight in grams × 10,000 ÷ sample area in cm²

For a rectangular sample:

Fabric g/m² = sample weight in grams × 10,000 ÷ (length in cm × width in cm)

• For a 10x10 cm sample, multiply the weight in grams by 100.
• For a 20x20 cm sample, multiply the weight in grams by 25.
• For a 25x25 cm sample, multiply the weight in grams by 16.

Metric Calculation Example

A 20x20 cm fabric sample weighs 7.2 grams.

7.2 × 10,000 ÷ (20 × 20) = 180 g/m²

The fabric weight is therefore 180 g/m².

US Fabric-Weight Formula

Fabric weight in oz/yd² = sample weight in ounces × 1,296 ÷ sample area in square inches

For a rectangular sample:

Fabric oz/yd² = sample weight in ounces × 1,296 ÷ (length in inches × width in inches)

One square yard contains 1,296 square inches:

36 inches × 36 inches = 1,296 square inches

• For a 12x12 inch sample, multiply the weight in ounces by 9.
• For an 18x18 inch sample, multiply the weight in ounces by 4.
• For a 9x9 inch sample, multiply the weight in ounces by 16.

US Calculation Example

A 12x12 inch sample weighs approximately 0.59 ounces.

0.59 × 1,296 ÷ (12 × 12) = approximately 5.31 oz/yd²

A fabric weight of approximately 5.31 oz/yd² is equivalent to approximately 180 g/m².

What Is the Stabilizer-Weight Formula?

Use the following Royal Present practical starting rule:

Required structural stabilizer weight = fabric weight ÷ 3

The calculation refers to the combined structural backing placed underneath the fabric. It does not include water-soluble topping placed above the fabric.

Metric Stabilizer Formula

Required stabilizer g/m² = fabric g/m² ÷ 3

Example:

180 g/m² fabric ÷ 3 = 60 g/m² stabilizer

US Stabilizer Formula

Required stabilizer oz/yd² = fabric oz/yd² ÷ 3

Example:

5.31 oz/yd² fabric ÷ 3 = 1.77 oz/yd² stabilizer

This formula supplies a starting backing weight. The final result must still be confirmed with the actual fabric, selected design size, stabilizer type, needle, thread and hooping method.

Fabric and Stabilizer Weight Chart

How Do You Convert GSM to Ounces per Square Yard?

Use these conversion formulas:

oz/yd² = g/m² ÷ 33.9057

g/m² = oz/yd² × 33.9057

For example, linen weighing 240 g/m² is approximately 7.08 oz/yd². The starting structural backing weight is approximately 80 g/m² or 2.36 oz/yd².

Can Several Stabilizer Layers Be Combined?

Yes. The target refers to the combined weight of the structural backing under the fabric. It may be reached with one layer or several compatible layers.

For fabric weighing 240 g/m² or approximately 7.08 oz/yd²:

240 g/m² ÷ 3 = 80 g/m²

Possible starting combinations include:

• one backing layer weighing approximately 80 g/m² or 2.36 oz/yd²;
• two compatible layers weighing approximately 40 g/m² or 1.18 oz/yd² each;
• one 50 g/m² layer combined with one 30 g/m² layer;
• another compatible combination with a similar total weight.

Two lightweight layers do not always behave exactly like one stronger layer. Test whether the combination stretches, perforates, tears prematurely or creates excessive stiffness.

Does Water-Soluble Topping Count in the Formula?

No. Water-soluble topping placed above the fabric is not included in the calculated structural backing weight.

Backing controls the fabric underneath the embroidery. Topping controls the surface and prevents the bee’s wing details, crown and narrow frame stitches from sinking into pile, loops or pronounced texture.

For textured fabric, the embroidery sandwich is:

1. calculated tear-away or cutaway backing underneath;
2. project fabric in the middle;
3. water-soluble topping above the textured surface.

How Do You Choose the Stabilizer Type?

The formula determines a starting backing weight. Fabric structure and project use determine the backing type.

Stabilizer Recipe for Medium-Weight Linen

For linen weighing 180 g/m² or approximately 5.31 oz/yd², begin with structural backing of approximately 60 g/m² or 1.77 oz/yd².

Test tear-away on a tightly woven, dimensionally stable linen panel. Change to lightweight cutaway when the weave opens, the frame shifts, the fabric remains wavy after backing removal or the finished project requires permanent support.

Stabilizer Recipe for Lightweight Linen Curtains

First calculate the actual curtain fabric weight. For fabric weighing 120 g/m² or approximately 3.54 oz/yd², the starting structural backing weight is approximately 40 g/m² or 1.18 oz/yd².

Choose a low-bulk backing that does not create a visible dark or rigid rectangle when light passes through the curtain. Test the selected backing against a window before embroidering the final panel.

For delicate linen that may retain hoop marks, hoop the backing and float the fabric above it. Secure the complete design area evenly with a basting frame or another tested embroidery-safe fixation method.

Stabilizer Recipe for Decorative Cushions

For cushion fabric weighing 240 g/m² or approximately 7.08 oz/yd², begin with approximately 80 g/m² or 2.36 oz/yd² of structural backing.

Permanent cutaway support is practical when the cushion will be handled, compressed and cleaned repeatedly. A strong tear-away may be tested on a rigid decorative panel that will not bend significantly during use.

Stabilizer Recipe for Canvas and Tote Bags

For canvas weighing 300 g/m² or approximately 8.85 oz/yd², begin with structural backing of approximately 100 g/m² or 2.95 oz/yd².

Use cutaway support for a tote bag that will bend and carry weight. Embroider the flat outer panel before attaching handles, pockets, zipper, lining or side seams.

Can the Design Be Embroidered on Sweatshirt Fabric?

Yes, when the sweatshirt fabric is stable enough for a detailed framed composition. Use permanent cutaway backing calculated from the fabric weight.

Add water-soluble topping when the surface is brushed or raised. Avoid placing the design across ribbing, a zipper, pouch pocket, hood seam or another bulky construction area.

Is the Design Suitable for Lightweight T-Shirts?

Lightweight T-shirt jersey is not the preferred foundation for this design. The bee, crown and ornamental frame may create a firm embroidered area even when the backing weight is calculated correctly.

A robe, sweatshirt, jacket back, woven garment panel, cushion, structured bag or framed textile panel is generally more practical.

Is the Design Suitable for Organza or Sheer Fabric?

Very sheer organza, tulle and unsupported transparent fabric are not recommended as the first choice for this detailed composition. The frame, crown and filled bee require more structural support than a light openwork motif.

A transparent effect is safer when the embroidery is placed on a stable woven insert or layered textile panel. Complete a full test and check the appearance after any removable stabilizer has been eliminated.

How Do You Hoop Lightweight or Delicate Linen?

When direct hooping may mark or distort the linen:

1. calculate the required backing weight;
2. hoop the selected cutaway or adhesive backing securely;
3. mark the center and vertical axis of the design;
4. position the linen above the backing without stretching it;
5. secure the full embroidery area evenly;
6. add a basting frame around the composition;
7. run the machine’s boundary trace before stitching;
8. support the remaining curtain or garment fabric near the machine.

When using temporary spray adhesive, apply it to the stabilizer away from the embroidery machine and test it on a scrap first. Read Temporary Adhesive Spray for Machine Embroidery before applying spray to the final fabric.

How Should the Design Be Placed on Curtains?

The design can be used as one central feature or repeated across a wide curtain panel. Prepare every placement before stitching the first repeat.

1. Mark the finished curtain width and length.
2. Mark side hems, bottom hem and the heading area.
3. Print the selected design size at full scale.
4. Arrange all paper templates across the panel.
5. Check the spacing between complete frame outlines.
6. Transfer the centers and vertical axes.
7. Begin from the center or from a deliberately selected edge.
8. Support the curtain fabric so it cannot pull the embroidery carriage.

Do not place the crown inside the heading, pleat or curtain-ring area. Keep the lower scrollwork above the finished bottom hem.

How Should the Design Be Placed on a Cushion?

Mark the finished cushion dimensions and seam allowances before hooping. Leave clear visual space above the crown, below the lower ornament and around both sides of the frame.

Embroider the flat cushion front before attaching piping, zipper, lining or back panel. A plain background provides the clearest contrast for the detailed bee and ornamental frame.

How Should the Design Be Placed on a Tote Bag?

Embroider the flat outer panel before assembling the bag. Mark handle placement, pockets, zipper, upper fold, side seams and lower boxed corners.

Use permanent cutaway support calculated from the actual outer-fabric weight. Position the crown low enough that it remains visible beneath the handles and upper seam.

How Should the Design Be Placed on a Robe or Jacket?

The medium or large size can be used on the back of a robe, jacket, vest or coat. Embroider the flat panel before attaching a lining whenever the garment construction allows it.

Keep the crown below the collar and the lower scrollwork above a belt, vent, waist seam or decorative band. Confirm that the embroidered area will not make a lightweight garment uncomfortably rigid.

Which Needle Should You Use?

For lightweight or smooth linen, begin testing with a fresh 70/10 or 75/11 sharp or embroidery needle. For medium-weight cotton, gabardine and linen, a 75/11 embroidery needle is a practical starting point.

For heavy canvas, dense upholstery linen or a layered bag panel, test an 80/12 needle. Use the smallest needle that penetrates the complete fabric-and-backing sandwich without deflection, skipped stitches, pulled fibers or repeated thread breaks.

Replace the needle when it begins to produce large holes, uneven outlines, thread damage or visible fabric distortion.

Thread and Color Recommendations

• Classic: black or dark brown frame with a gold, black and ivory bee.
• Vintage: bronze, taupe, muted gold, cream and charcoal.
• Natural linen: dark brown frame with honey, ochre, ivory and warm gray.
• French country: soft gray, faded blue, cream and muted mustard.
• High contrast: ivory or gold frame on black, burgundy or navy fabric.
• Neutral décor: monochrome frame with a naturally colored central bee.

Maintain clear contrast between the frame and the project fabric. Narrow dark lines may disappear on black, brown or navy fabric unless lighter thread colors are selected.

Can Metallic Thread Be Used?

Metallic thread can be tested as a controlled accent in the crown, selected frame details or the bee. It is safer as an accent than as a replacement for every outline and filled area.

• use a needle intended for metallic embroidery thread;
• reduce the embroidery speed;
• allow the spool to unwind freely;
• check the thread path for excessive friction;
• avoid excessive upper-thread tension;
• test the complete metallic color block before the final project.

How Do You Prevent Puckering?

• calculate the fabric weight instead of guessing the backing weight;
• use structural backing close to the fabric weight divided by three;
• do not stretch the fabric during hooping;
• cover the complete hoop opening with backing;
• use permanent support for loose, lightweight or flexible fabric;
• secure floated fabric across the full embroidery area;
• support long curtains and heavy project panels near the machine;
• check upper-thread and bobbin tension;
• use a fresh needle;
• complete a full test on matching material.

How Do You Prevent Outline Shifting?

Outline displacement usually indicates that the project fabric moved relative to the backing, the structural support was too light or the weight of the project pulled on the hoop.

Recalculate the backing weight, change to cutaway support when necessary, add a basting frame and secure the complete embroidery area evenly. Reduce the machine speed before the final wing lines, crown details and narrow frame outlines.

Is This FSL, Appliqué or an ITH Project?

No. This is a decorative machine embroidery design that is stitched directly onto fabric with suitable structural backing. It is not free-standing lace, appliqué, a patch file or an in-the-hoop construction project.

Comparison and Related Designs

• For another crowned bee with a different ornamental frame and five sizes, see the French Queen Bee Machine Embroidery Design - 5 Sizes.
• For a compact bee and crown without the large surrounding frame, see the Queen Bee with Crown Machine Embroidery Design.
• Browse more scrolls, frames and royal ornaments in Baroque Machine Embroidery Designs.

Project and Stabilizer Guides

The French Queen Bee project article provides additional background and project inspiration for this composition.

For backing, topping, adhesive and removal classifications, read Choosing Stabilizers for Machine Embroidery.

Do Not Resize the Files Independently

Do not enlarge or reduce the supplied embroidery files independently. Without professional stitch recalculation, resizing can damage density, underlay, pull compensation, the bee’s body, wing details, crown, narrow frame lines and alignment between fills and outlines.

The three supplied sizes were prepared as separate files. Royal Present is not responsible for embroidery quality after the customer independently resizes, edits or converts the supplied files.

About the Designer

This Royal Present Embroidery design was created by Ludmila Konovalova, machine embroidery designer.

FAQ

How many sizes are included?

The product includes three separately prepared sizes: 128.0x152.5 mm, 166.8x198.6 mm and 198.6x236.6 mm.

Which size may fit a 130x180 mm hoop?

The smallest file measures 128.0x152.5 mm and may fit a 130x180 mm field when the machine supports the complete 128.0 mm width.

Does the smallest file fit every 5x7 hoop?

No. The file is 5.04 inches wide. A machine limited to exactly 5.00 inches or 127 mm of usable width cannot stitch it.

Which hoop may fit the medium size?

The medium file measures 166.8x198.6 mm. It may fit a true 200x200 mm field or a larger 180x300 mm field when the complete dimensions are supported.

Which hoop is needed for the largest size?

The largest file measures 198.6x236.6 mm. It requires a field of at least those dimensions, such as a nominal 200x260 mm or 200x300 mm field.

How do I calculate fabric weight in g/m²?

Multiply the sample weight in grams by 10,000 and divide by the sample area in square centimeters.

How do I calculate fabric weight in oz/yd²?

Multiply the sample weight in ounces by 1,296 and divide by the sample area in square inches.

How do I calculate the starting stabilizer weight?

Divide the fabric weight by three. Fabric weighing 180 g/m² gives a starting backing weight of approximately 60 g/m². Fabric weighing 5.31 oz/yd² gives approximately 1.77 oz/yd².

Does water-soluble topping count toward the calculated weight?

No. The formula applies to structural backing underneath the fabric. Water-soluble topping is added separately above raised or textured fabric.

Which stabilizer should I use on lightweight linen curtains?

Begin with a low-bulk backing calculated from the fabric weight. Test lightweight cutaway or a clean-removing tear-away and check the panel against light before embroidering the final curtain.

Can the design be embroidered on a cushion or tote bag?

Yes. Embroider the flat outer panel before assembly and use permanent cutaway support when the finished item will bend, carry weight or be handled frequently.

Can metallic thread be used?

Yes, as a controlled accent in the crown, frame or bee. Use a metallic needle, reduce the machine speed and complete a full test first.

Can I resize the files myself?

No. Independent resizing can damage density, underlay, pull compensation and outline registration. When another size is required, use the professional Resize of Design service.

Is a complete test stitch necessary?

Yes. Stitch the complete selected file on matching fabric with the intended backing, topping, needle and thread. Check puckering and registration again after removing the project from the hoop.