By knowing the speed of your embroidery machine, you can find out how long it will take to embroider a design.
To use the embroidery calculator, click on the number of stitches in the product description.
This download includes one poinsettia machine embroidery design with a delicate lace-style circular ornament in four sizes. After purchase, you receive a ZIP archive containing files for an embroidery machine. This is not a finished embroidery, patch, freestanding lace file or in-the-hoop Christmas ornament.
Size: 158.6x155.5 mm (6.24x6.12"), Stitches: 45738
Size: 178.6x175.1 mm (7.03x6.89"), Stitches: 52238
Size: 198.6x194.7 mm (7.82x7.67"), Stitches: 59210
Size: 218.6x214.3 mm (8.61x8.44"), Stitches: 66357Formats: .dst, .jef, .pec, .vip, .hus, .pes, .exp, .sew, .dat, .vp3, xxx
| Included | 1 design in 4 original sizes |
|---|---|
| Design type | Multicolor flat embroidery on fabric; not ITH and not FSL |
| Thread palette | 6 Madeira Classic Rayon 40 colors, 9 color blocks |
| Recommended top thread | Madeira Classic Rayon 40 or another quality 40-weight machine embroidery thread |
This is a large design. None of the four files fits a 130x180 mm (5x7") embroidery field. Rotating the design by 90 degrees does not help because both dimensions of the smallest file exceed 130 mm.
| Machine embroidery field | Files that fit |
|---|---|
| 130x180 mm (5x7") | None |
| 160x240 mm (6.3x9.45") | Only 158.6x155.5 mm (6.24x6.12") |
| 180x300 mm (7.09x11.81") | The first two sizes |
| 200x200 mm (8x8") | The first three sizes |
| 200x260 mm (8x10.24") or 200x300 mm (8x12") | The first three sizes |
| Field at least 218.6x214.3 mm | All four sizes |
When a file is close to the machine limit, the machine may reject it because a particular model reserves an internal safety margin. Before buying, compare both dimensions of the selected file with the maximum embroidery field stated by the machine manufacturer.
The composition centers on one large poinsettia. Red bracts are arranged in several layers, pale veins create depth, and green leaves form a second visual tier. Behind the flower is a circular openwork ornament made from scrolls, leaves and small floral elements. The light thread gives this background a lace-like appearance, but every stitch is supported by fabric.
The round format works best as a central motif on a decorative pillow, wall panel, table runner, large centerpiece mat, gift bag or framed textile artwork. It is too large for a standard dinner napkin. For a coordinated table set, place this motif on the central piece and use smaller poinsettia companion designs on napkins.
The RPE-3596-002 production chart contains six thread colors. The squares are approximate screen references: rayon sheen, monitor settings and dye-lot variation affect the visible shade. Match replacement thread primarily by the Madeira number.
| Color | Number | Madeira name | Design element | |
|---|---|---|---|---|
|
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1180 | Daffodil Yellow | Poinsettia center and small golden accents in the openwork circle | |
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1072 | Coconut Cream | Pale openwork circle, veins and highlights on the inner bracts | |
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1039 | Brick Red | Dark red sections, outlines, shadows and small red details | |
|
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1170 | Fern Green | Dark foliage, leaf edges, veins and shaded areas | |
|
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1049 | Lime Green | Main light-green leaf fills | |
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1378 | Paprika Red | Bright red-orange fills on the poinsettia bracts |
9 color blocks: 1180 → 1072 → 1039 → 1170 → 1049 → 1039 → 1378 → 1072 → 1180.
Colors 1039, 1072 and 1180 return after other blocks because they stitch separate layers of the composition. Do not enable automatic color merging. Changing the sequence may alter the intended overlap between pale veins, red bracts and the small details of the openwork background.
Because the design is large and contains 45738–66357 stitches, choose the backing for the fabric and the selected file size. For stable woven linen, a practical test starting point is a total backing weight of about one-third of the fabric weight. This is a starting estimate, not a substitute for a full stitch-out on the project fabric.
| Fabric and project | Madeira stabilizer | Weight / thickness | How to use it |
|---|---|---|---|
| Firm 180–220 g/m² linen or cotton for a runner, panel or cushion cover | Madeira Cotton Soft 60, tear-away | 60 g/m² 1.77 oz/yd² |
Hoop one layer with the fabric. Test the third and fourth sizes before stitching the final project. |
| Loose or lightweight linen with shifting yarns | Madeira Cotton Stable, fusible tear-away | 50 g/m² 1.47 oz/yd² |
Fuse it to the wrong side without stretching, then hoop. If the large test puckers, add a second light layer of Cotton Soft 50 at a different fiber angle. |
| Firm décor fabric, canvas or bag fabric | Madeira Cotton Soft 80, tear-away | 80 g/m² 2.36 oz/yd² |
Use one layer underneath. Test whether the combination creates an overly stiff area around the embroidery. |
| Knit, sweatshirt fabric or stretch cushion cover | Madeira Super Strong, cut-away | 80 g/m² 2.36 oz/yd² |
Use one layer underneath and hoop without stretching the fabric. Trim the backing to 6–10 mm (0.24–0.39 in) around the stitched area. |
| Velvet, velour or terry cloth | Madeira Super Strong 80 underneath + Madeira Avalon Film on top | 80 g/m² / 2.36 oz/yd² 20 μm / 0.79 mil |
The film keeps pile below the pale and outline stitches. Test velvet for hoop marks before tightening the frame over the face of the fabric. |
| Organza for framed wall art | Madeira Avalon Ultra beneath the organza | 90 μm 3.54 mil |
Hoop the organza and film together, run a complete test and dissolve the film after embroidery. The organza remains as the permanent foundation; do not stitch this file on film alone. |
More help: choosing stabilizers for machine embroidery, tear-away stabilizers and Madeira Avalon water-soluble stabilizers.
For framed hoop art, press the reverse over a soft towel after stitching so the iron does not flatten the raised satin stitches. Washing, drying and pressing rules for rayon, polyester, metallic thread and delicate fabrics are explained in the embroidery care guide.
After purchase, download and unzip the archive, then transfer only the supported machine-format file to your embroidery machine. The machine cannot read the ZIP archive itself. Each of the four sizes is supplied as a separate file; do not resize it in the machine menu without stitch recalculation.
You may sell finished physical items embroidered with this design in small craft-business quantities. You may not copy, share, exchange, publish, include or resell the digital files in another digital collection. See the Royal Present Embroidery license and terms for full conditions.
No. This is a digital file for flat machine embroidery on fabric. The circular composition is decorative, but it does not produce a freestanding ornament and contains no in-the-hoop assembly steps.
No. The smallest file is 158.6x155.5 mm (6.24x6.12"), so both of its dimensions exceed the 130 mm side of a 130x180 mm embroidery field. Rotating the design does not change that.
The first three files fit mathematically, including 198.6x194.7 mm (7.82x7.67"). However, that third file leaves only 1.4 mm (0.06") total width clearance. Confirm the usable field of your exact machine model before purchase.
Yes, after a complete test. Hoop stable organza with Madeira Avalon Ultra 90 μm, stitch the design and dissolve the film according to its instructions. The organza must remain beneath the stitches because this file was not digitized as freestanding lace.
For stable 180–220 g/m² linen, start with one layer of Madeira Cotton Soft 60 at 60 g/m² (1.77 oz/yd²). For loose linen, use fusible Madeira Cotton Stable 50. If a complete test of the third or fourth size puckers, add a second light layer instead of increasing support without testing.
Design author: Ludmila Konovalova, Royal Present Embroidery.